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Archive for the ‘Ad Creative’ Category

Ideas to leave on the shelf

In Ad Creative on June 8, 2023 at 6:13 pm

Okay, I thought I’d provide some relief from all the posts on AI, influencers, or the demise of third-party cookies. I’d like to talk, briefly, about LOUSY commercials. Or more specifically, tired, hackneyed scenarios masquerading as concepts that still find their way into today’s traditional media like TV and radio. And for some pretty big-name advertisers.

Let’s start with a basic premise: if your product or sale is so great, you don’t need to create fake urgency or a silly alternate universe where consumers everywhere are overwhelmed by it and respond instantly. Somewhere, a new copywriter must have been convinced that THEIR interpretation of this cobweb-covered fossil was funny enough to break the mold (or knock the mold off).

The “drop everything and run” cliche.

At the moment, Domino’s is barreling down this well-worn path. The announcer mentions a 50% off promotion “right now” That leads to several astonished people excitedly repeating the “right now” and stopping what they’re doing to head for Dominos. (I guess the company temporarily suspended its obsession with delivery for this campaign.)

The gobsmacked consumers include a lady washing her car and the mandatory news anchor who tosses her scripts in the air and rushes off set to get the deal. Then, of course – and get ready for the knee slapper – a guy fresh from the shower clad only in a towel races off to get in on this life-changing pizza discount. Wow, get ready, Cannes.

The approach is not new, of course, that’s the point. The same principle applies to many an automotive brand, including higher-end nameplates. The vehicles roll through town, attracting open-mouthed stares and admiration, and often a flock of groupies chasing it to get a better look. Oh, please.

The “stunned actors” schtick.

This one is currently being abused in radio spots for a cell service provider. The old “talent at the mic” dialogue with the studio engineer. She’s supposed to read the script, but the offer is SO good, she questions the engineer about it. (He delivers the only decent moment in the spot with a snide “that’s what it says.”)

She, of course, is out the door without completing the spot. Heh heh, I can’t stop laughing.

Others deserving retirement.

In an earlier edition of his classic book “Hey, Whipple, Squeeze This” Luke Sullivan had a section of commercial ideas/situations that have become tired parodies of themselves. I love his list, which includes spots that feature manufactured “game shows.” True confessions, I did one of those early in my career, but honest, mine was great.) Another moldy oldie is the faked “breaking news” item complete with interruptive sound effects.

I would personally add those forced structures developed to allow the writer to cram in every possible product feature to please the client. Obviously, there was no adult in the room to apply the critical discipline to decide which one was most important. Let’s call it the laundry list approach.

“What makes XXXXXXXX carpet cleaning service the best? Is it our unique cleaning chemicals? Or our prompt reliable service? Or our state-of-the-art X400 Steam Cleaning Machine? Well, it just MIGHT be our low, low prices.”

Sometimes these are presented as two “consumers” allegedly discussing the brand, or employees trying to write the company jingle, etc. Either way, it has the unique ability to make consumers glaze over and a sample reel instantly invisible. The strategy (or lack of a real one) is just so darned transparent.

Oh well, aspiring copywriters (or those who should know better) should try to avoid these creative potholes. I’d share more, but WOW, I just heard there’s a big sale on RIGHT NOW at

Rocket Mortgage spot definitely (NOT) a scream.

In Ad Creative, Uncategorized on June 20, 2022 at 3:58 pm

Okay, this one finally brought Marn’s Market out of hibernation, and that’s a good thing. The spot, I’m afraid, is not. (And sorry to be so blunt in case any former students worked on it.)

There are two problems with it, actually.

First, it’s based on a badly worn-out joke. And secondly, it’s….well…Irritating.

Rocket Mortage has done some very good work. I think the Tracy Morgan campaign was quite effective, both in gaining attention and getting the message across. And even the recent Super Bowl “Barbie’s Dream House” felt quite contemporary in an overheated real estate market.

Get it? GET IT?

But much of Rocket’s recent work has revolved around a painfully overused “wink wink” built upon referring to the equity you have in your home as money that’s “in your house.” This has led to cringe-worthy vignettes of moronic husbands bashing through walls, and neighbors taking their homes apart, “looking” for that figurative money as if it were stashed cash.

These have always been painful for me to watch. But the latest entry takes it (down) to a new level.

In “Screamer” a man is continually startled as his wife/partner emerges suddenly from inside a kitchen cupboard or between couch cushions or bashing her way through walls with an ax. Each time this happens (three or four per spot, at least) the man lets loose a blood-curdling scream.

And it happens so early on, I can’t reach the “mute” button fast enough.

Don’t punish me for listening.

As I mentioned, I like Rocket Mortgage as a company. But this particular spot saddens me. The premise is so tired, and the execution so annoying, I think it does them a disservice.

I do empathize with the spot’s main character, however. Every time this spot comes on, I know just how he feels!

The monster creative duel between Direct TV and Charter Spectrum

In Ad Creative, Memorable Marketing on February 25, 2018 at 5:23 pm

If you live in a “Charter Spectrum” area, you quite likely are familiar with the ad battle currently going on between the company and Direct TV. The latter has put extensive weight behind it’s campaign that attempts to make fun (or in my view, ridicule) those people who still “prefer cable.” In the process, they show an endless chain of poor mopes who, to support the metaphor, enjoy things like walking into glass doors, spilling hot coffee in their laps, getting poison ivy, or paper cuts on their tongues …you get the idea.

Meanwhile, Charter Spectrum has created a family of cliche’ horror movie monsters, including a mummy, an evil doctor, a killer dummy, the grim reaper, and several others. We enjoy their frustration when bad weather or other problems knock their Direct TV service off the air.  Many entertaining situations result, as we see the hideous group on the subway, during poker night, even trying to cut down a tree blocking their satellite signal.  

(My favorite version  features death himself trying to lead a game of charades to pass the time. He gets into a sarcastic exchange with the caustic little dummy, while the mild-mannered mummy and the simple-minded alien attempt to grasp the conversation.) Read the rest of this entry »

“Test Drive” TV spots help Volkswagen weather a testing time.

In Ad Creative, Uncategorized on December 7, 2015 at 1:04 am

Given the recent revelations about VW’s emissions testing subterfuge, the ad industry watched with anticipation to see what sort of persona the company would take on in its post-crisis advertising. The answer? A familiar one.

And that’s a good thing for VW. It brought back a popular campaign supporting its regular “Sign Then Drive” event. The campaign features salespeople who are ‘kidnapped” by people who are test-driving a VW, and are so taken with it, the test drives continue into all manner of entertaining situations for far longer than the anticipated time.

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In my favorite spot, a family has taken a VW Christmas shopping, and is unloading gifts outside a family gathering when we see, at last, that there is a VW salesman sitting in the back. His earnest, mild-mannered suggestion to return to the dealership is greeted with a genuine look of hurt feelings as the wife asks,  ‘don’t you want to meet my family?”

In other executions, we join a couple lying on the hood/roof of the vehicle, looking up at the stars, making wishes. Then we hear a mild, totally un-sarcastic voice through the sunroof from an unseen salesman inside chiming in with “I wish we could head back to the dealership now.”

I think the campaign is a particularly good choice for VW for right now, for several reasons.

  1. The message is not a very intense “product/feature” sell – a good decision when almost any specific claim would likely prompt a snarky, knee-jerk response about the claim’s truthfulness.
  2. Secondly, the real “selling idea” here isn’t delivered in the company’s voice at all, but rather through the fondness various people instantly feel and show toward the vehicles on their “test drives.” This virtual third party endorsement works much better for VW at the moment.
  3. Finally, there is a consistent likability displayed by the VW salespeople in each spot. In that “Gifts” spot, for example – despite the salesman’s eagerness to end the test drive, he doesn’t want to hurt the woman’s feelings. So of course he sighs, taps his knees, claps his hands and hops out to go meet that family.

Read the rest of this entry »

GE presents itself as a disappointment in odd new campaign.

In Ad Creative, Agency Biz on October 20, 2015 at 9:07 am

I should feel proud. I mean, somehow I must fit into some media buyer’s demographic for GE’s new campaign to recruit college grads. I see and hear the campaign constantly, though my first job was, well, a while back. But the campaign strikes me as an odd one. I find several things to like about it, but I think it creates exactly the image that its creative team is apparently trying to dispel.  Here’s Ad Age’s take on it.

The campaign features TV and radio executions that are built around a young guy who seems happy to have just been hired by GE,  But in every case, his family and/or friends seem very disappointed, because they clearly picture GE as an old, very industrial giant that is the furthest thing from their expectations for “Owen”, our  hot young Internet developer.

In TV spots, they seem confused, and don’t understand his explanation of developing a language that will help machines communicate. In one silly overreach, a group fawns over another guy (Owen’s brother?) who is working on a stereo-typically vapid smartphone app that allows you to place hats on animals’ heads. Something much more to their liking. Owen pals

While the sarcasm certainly paints the friends as shallow, it doesn’t serve to elevate GE in the process. Most of us probably don’t think of GE that much at all – so the constant exposure to people who think it’s an industrial dinosaur simply makes us think they’re probably right. In one annoying radio spot, the newly hired guy has a girlfriend who badgers him to portray his new job as “working on a trendy app” and insists he leave out the “machines” and the “GE” part when they meet her parents that evening. Again, we sure don’t like her much. But again GE is considered an embarrassment.

Now, I GET it. I know that’s the point. I just don’t think it works. And the line that ends most of the spots is “GE. The digital company that’s also an industrial company.”  That doesn’t really help. If we have no real image, we don’t know what to think; the whole thing just sounds defensive. And if we do have the old “industrial”perception of GE, we’re not going to change that because you called yourself a “digital” company first.

Find some interesting way to show me “digital.” Show me what you’re doing now. Show me the kinds of things young college Read the rest of this entry »

Citgo pumps up the strategy.

In Ad Creative on April 14, 2015 at 4:30 pm

Early in my career, I earned praise from a newspaper advertising columnist for my work in an unusual venue. The column began “Sometimes creativity must be recognized, even if the vehicle is only a restaurant menu.”  It is in that spirit that I devote this column to an equally unappreciated communications channel: the gas station “pump topper” I encountered at my corner gas station.

The sign went beyond the usual “come in and get a 148-oz. smoothie for 49 cents.”  It actually had some marketing to it. Most of us know that if you buy items other than gas at a gas station, it’s for one of two reasons: you are either too late or too lazy to stop at a real store for it.  (In those situations, you rationalize that a $1.75 can of Coke or a $4.50 gallon of milk are great deals.) Well, while most of us grudgingly accept it as the price of convenience, Citgo has found a way to put things in a more positive perspective – and I think I can see an actual strategy in it.

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“What  you need for whatever is next” does a pretty nice job of making me feel better about overpaying for things!  It gives me permission to think “I’m not a poor, pathetic, desperate, disorganized, gullible sucker. I am simply a cool, active, busy person who is smart enough to fit things into my schedule in the most efficient way possible. Let those other people with boring lives and penny-saving obsessions clip their coupons and go miles out of their way to a store where they can save a few cents on a hundred dollars worth of stuff. I, unlike them, have a life to lead.”

Whether I need something on the way home from work or daycare, or some snacks to bring to the party, or any item that will get me through to my next regular grocery trip without having to go shopping NOW – Citgo is right there, 50 feet from where I am filling my car with gas.

“What you need for whatever is next” is a good message, as long as you don’t think about it too much. Like when you walk out carrying that pricey pack of coarse toilet paper.

Virtual gingerbread house vacations lead off December’s “Good, Bad and Ugh…”

In Ad Creative on December 29, 2014 at 6:04 pm

Okay, glad we have a nice opening item for this month’s edition of “The Good, the Bad, and the Ugh” in the marketing and advertising world.

The Good.

The good this month is, oddly enough, a nice piece of self-promotion/charity effort by New York ad agency McKinney. Instead of the lame attempt at too-cool humor many agencies launch, the folks at McKinney helped create GingerbreadBnB.com.  A just-plain-fun way to raise funds to help the homeless in New York City. You donate to book a “virtual stay” in one of three wonderfully-created gingerbread rental properties, featuring clever and funny edible amenities that even HGTV’s Property Brothers could never imagine. It’s difficult to explain in detail, but the best and most visual write-up I found is here.

It’s earned international attention, and well-deserved. Credit to everyone involved, for the agency in doing something meaningful with those Christmas sentiments (and writing it up very well), and to the artists themselves. It must have been a blast. Thanks to all who booked a virtual stay, as well – you obviously “get it.”  I endorse this concept without, uh, reservations!

Gingerbread

The Bad

I’m getting  a little tired of talking about Wendy’s, frankly. But they keep earning it. THIS month, it’s another annoying radio commercial, this time for their Bacon Portobello melt.  In the spot, buyers sing their way through a horribly-forced jingle format, explaining what they did to “deserve” the sandwich. That’s not the bad part – creative is subjective, and some might disagree with me on the creative quality (though they’d be wrong if they did).

The problem here is in the “deeds” credited for earning the awards. They are all “little” Read the rest of this entry »

Stop the awful radio spot, Wendy’s. You “gotta!”

In Ad Creative on March 24, 2014 at 11:37 pm

Okay, sorry in advance for being crabby in this post.  But if I don’t vent soon, my steering wheel will be pencil-thin at the  10 and 2 o’clock positions from excessive squeezing.  My current job finds me driving a LOT. And listening to sports talk radio a LOT. And therefore, hearing the most obnoxious radio commercial in recent memory a LOT.

True confession, I already strongly disliked the redhead character who acts as Wendy’s shill in most of their recent broadcast ads. I find her unlikable and grating. I am also not a fan of Wendy’s laughable  “now that’s better” tag line- which she smugly utters at the end of every spot as if it meant something.

But back to the offending radio spot. Wendy’s is apparently offering one of their sandwiches on “ciabatta” bread.  So some copywriter – obviously one who can entertain himself for hours with a card that says “PLEASE SEE OTHER SIDE” on both sides – decided that such a peculiar word was perfect fodder for an oh-so-witty radio spot.

Image courtesy of Apolonia / FreeDigitalPhotos.ne

Image courtesy of Apolonia / FreeDigitalPhotos.ne

The spot – in case you’ve been fortunate enough not to hear it – features a dialogue between our heroine redhead and a friend named – of course – “Renatta.” They exchange insipid lines like  ”  It’s a ciabatta, Renatta.” and “He got a ciabatta, she got a ciabatta, everybody got a ciabatta.” Then,  “red” comes back with possibly the worst-written line in radio history, saying “All except Greg – now he’s persona non grata.”

Hey, I GET it!  It RHYMES with that FUNNY WORD. Hysterical! Cue the Beavis and Butthead snickers.

So many other ways to go. So many ways to make ciabatta sound like something you’d actually enjoy tasting. So many ways to, say, really communicate something.

Yeah, somebody be sure to come back with “well, you remembered the spot!”  Yes, yes I did and I do. And won’t be spending a penny at Wendy’s as long as that spot is on.  Not a penny, Jenny! Not any penny.

Oops, I  think I just split a gut.

 

“Jake….from State Farm.”

In Ad Creative, Memorable Marketing on March 5, 2014 at 1:37 pm

Chances are, there’s already a smile on your face from the headline to this post.   I just decided I could no longer resist writing about a commercial I have enjoyed for years. (And how often can you say that about a spot?!!) Just seeing the “wife” in a banner ad, I laughed. Image

I won’t describe it – you already know it well, and can watch here if you’d like to enjoy it again.

But this commercial represents the wonderful confluence of three major things essential to a great spot (or campaign, for that matter). The marketing objective is clear – let people know you can deal with State Farm 24/7 by phone, and presumably other ways. The copywriting is tight and ultra-believable; no wasted words, and extremely true-to-life dialogue that comes from the real world, not adland. And finally, great acting performances.

I can envision a comedy routine interrupted by the actor who plays the agent in the spot simply taking the stage, walking up to the microphone, and saying “….uh…khakis.”  It would bring down the house.

This commercial is rapidly achieving status I have previously reserved for the all-time-great film  “Planes, Trains, and Automobiles”  – where pieces of dialogue from the film are apt to enter any conversation at any time. Yes, officer, yes they are.

So congrats to everyone involved in writing and producing this spot.  Somewhere, there may be a person who doesn’t look forward to seeing it. But who cares?  She sounds hideous.

Radio is alive and well; but where are the creative ads?

In Ad Creative, Agency Biz, Research on October 17, 2013 at 2:15 pm

It’s a little hard right now to link to the actual results, given Arbitron’s recent sale to Nielsen. But one of Arbitron’s last research projects revealed that more than 239 million Americans aged 12 and over listen to radio in an average week, spending an average of more than an hour and a half doing it.  So…objectivity aside….it appears that radio’s viablity as a medium is not one being questioned in today’s tumultuous media landscape.  But it occurs to me that, unfortunately, the creativity that was once a hallmark of  effective radio ad campaigns is missing in action.freeimage-538735-web

When I started in the business as a young writer, things were very different.  There were several legendary independent radio production companies doing exceptional work.   Dick Orkin and Bert Burdis were (not surprisingly) working as “Dick and Bert” -the reigning kings of creative radio, offering their writing and production services to clients of all sizes and scopes, from local car dealers to national brands.  Shortly after, they split to form  The Radio Ranch (Orkin) and Bert, Bars, and Kirby (Burdis).  Both companies, along with numerous other firms designed along the same lines and offering similar services, thrived.

The ability of these companies to coax a lot of memorability out of 60 seconds of air time was admirable. Their creative abilities to come up with concepts was terrific, but I especially admired their vocal talents and ability to produce excellent spots with impeccable timing and editing. I am fortunate enough to have,  on my reel, spots written by me, but performed by Orkin and produced by his company. (This is unusual, because for a lengthy time, Orkin’s company refusedto permit his voice to be used on any spots they themselves had not written.) Read the rest of this entry »